Iggy Azalea Signs Deal With Island Records

By Sowmya Krishnamurthy

Iggy Azalea has inked a new record deal with Island Records, part of the Island Def Jam family.

“I am elated to be a part of the Island Def Jam family!” the “Work” rapper shared. “…Island Records was attuned to the type of artist I am…I couldn’t have asked for a more understanding and aspirational group of people to work with.”

Last year, Iggy signed with Interscope Records and T.I.’s Grand Hustle label. Interscope honcho Jimmy Iovine dubbed the Australian model and former XXL Freshman as the “next Tupac” while T.I. was slated to executive produce her debut, then titled The New Classic. “Tip reached out just to meet me, to say hello, and I found a position for him, conveniently, where he could be used,” Azalea explained then. “And he was down with it; that’s the truth.”

Iggy assured fans that she was still a part of the Grand Hustle family on Twitter today, despite the new signing. “No. That doesn’t mean I’m not in hustle gang. Save it. Still in it. Still on the hustle gang album. Friendship doesn’t require contracts.”

Iggy’s official single “Work” is out now and The New Classic is slated for release sometime this year.

[News] Hit-Boy, L.E.P. Bogus Boys May Sign To Gee Roberson’s Blueprint Records

The former Roc-a-Fella exec is looking to sign Hit-Boy and the LE.P. Bogus Boys to his new imprint.

He cut his teeth as the Senior VP of AR at Roc-a-Fella Records and managed hit-makers like Lil Wayne and Kanye West, but that isn’t stopping industry veteran Gee Roberson. Now, Billboard reports that Roberson is starting a new label, and may have already snagged a few breakthrough up-and-comers for its roster.

Roberson is teaming with Interscope Geffen AM to launch a new full service record label Blueprint Records, an extension of his Blueprint Management Group. While the imprint is still is its infancy, rumors are circulating that Roberson has already signed “Niggas in Paris” producer Hit-Boy and Chicago duo L.E.P. Bogus Boys to the fledgling label.

“I’m very happy about the knowledge and experience I gained at Geffen that will be very useful going forward in the future,” Roberson said of the new launch. “Now it’s time to go back to my roots, that entrepreneurial spirit, wrap my arms around my own label and fold it into Interscope Geffen AM. Based on the relationship I already have with Jimmy [Iovine, Interscope CEO] and everyone at the label, this is a very natural move that’s filled with synergies.”

This past October, Hit-Boy joined Roberson’s Blueprint Management Group. DX will keep you updated as more information comes to light.

RELATED: Hit-Boy Signs With Blueprint Group Management

[News] Ab-Soul Says "The Autobiography Of Malcolm X" Taught Him A Lot, Speaks On Macklemore Collab

Ab-Soul talks Malcolm X, says his “Jimmy Iovine” collab with Macklemore “was an important record.”

While the late Malcolm X has been referenced numerous times in Hip Hop, according to a recent interview with West Coast spitter Ab-Soul, he personally learned a lot from the minister and his famed The Autobiography Of Malcolm X.

The Top Dawg Entertainment emcee spoke on Malcolm X and a variety of other topics while being interviewed by HardKnock.TV.

“I’m not like a racial person by any means, you know what I mean? I really try to stress equality, but I kinda feel like every black person just kinda goes through this black power phase, in my generation per se,” Ab-Soul explained. “You kinda just go through this little enlightenment about wanting to know your history and where you wanna come from. The story is deep with African-Americans. So Malcolm X was a real courageous figure. We heard a lot about him in school and so something told me to really just crack that book open and hear what he had to say. And I think it just taught me a lot.”

Ab-Soul also shared the details on how his “Jimmy Iovine” collaboration with Seattle rapper Macklemore came about. The rapper revealed that he linked up with Macklemore while touring and the two shared similar interests in sparking a conversation within.

“Well, I met Macklemore on the Groovy Tour with Q,” said the TDE rapper. “He’s a real cool guy, very intelligent guy. You know what I mean? I think he, like I, is trying to spark a lot of those conversations. Of just within, within yourself. And that song he just sent me the record…And I thought that was a brilliant song. That’s how serious people are to get into this business. It’s almost like that. They’re almost willing to catch Jimmy Iovine slipping outside the club. Like, ‘what’s up?’ So I think that was an important record to do.”

RELATED: Ab-Soul Credits His Extensive Vocabulary To His Mom, Speaks On Alori Joh

 

French Montana Challenges ‘Old Man’ 50 Cent After DJ Khaled Jabs

French Montana isn’t going to just let 50 Cent‘s taunts go unanswered. On Friday (November 30) Fif made some pretty damaging accusations against the “Pop That” MC, saying that French aided the G-Unit head in his feud with DJ Khaled. And while Montana didn’t address that issue directly, he sent some pretty clear shots Fif’s way this afternoon.

In response, Montana issued 50 a good old fashioned sales challenge. They both have albums coming next year. “@50cent if u really about Dat life lets drop our album da same day and see who sell more u had your turn old man,” he wrote.

It didn’t stop there. “#Dunkeykong should send @Eminem @adamlevine flowers for TRYINN to save his career come catch this fade monkey,” he said in reference to 50′s new single, “My Life.”

2bf20 whatever French Montana Challenges Old Man 50 Cent After DJ Khaled Jabs

The battle-tested 50 didn’t pass up the opportunity to throw more shots at the Bad Boy recording artist. “LMAO @Frenchmontana gonna find out what we already know. Puffy gonna run like a b!tch you on ya own boy,” he wrote on Twitter.

The two have been bickering since October after Montana commented on Fif’s penchant for beef in a Complex.com interview, but during the past week the drama has ramped up. In a recent interview, Montana called 50 a “donkey” and then named himself as the most important artist at Interscope Records, dismissing Fif’s role on Jimmy Iovine‘s all-star roster.

Watch: 50 Cent will toast 10 years of Get Rich or Die Tryin’ with new album!

None of this sat well with 50, who Friday morning claimed that it was Montana who supplied him with the footage of DJ Khaled’s mother that the G-Unit juggernaut used in his 2009 viral video dis “A Psychic Told Me.” “Frenchie, they got me the tape,” Fif said he appeared on Power 106′s Big Boy’s Neighborhood in Los Angeles again this morning. “They got me the tape of his mother’s house, where his moms work at, the other cribs, the studios, stuff like that.”

During the interview 50 went on to criticize French for relying on big-time collaborations, most notably “Pop That” with Drake, Rick Ross and Lil Wayne.

Who do you think would win a sales battle: 50 Cent or French Montana? Let us know in the comments!

Phillip Phillips Worked Overtime Not To ‘Suck’ On ‘Idol’ Debut, Moon

Thanks to the success of his hit single “Home,” Phillip Phillips could have done whatever he wanted on The World From the Side of the Moon, his post-”American Idol” debut. Instead, he decided to he was going to focus on one rather key goal:

“I just tried my best not to make it suck,” he laughed.

Mission accomplished. Because Moon, which hits stores Monday (November 19), most certainly does not suck. In fact, it is probably the most oddly assured “Idol” debut to come down the pipe in a while, one that seems almost preordained to break the recent sales slump that has befallen previous champions. And yet, not surprisingly, Phillips himself is remaining humble … in fact, you might say he’s even pessimistic about the album’s chances of hitting big.

“Man, I’m pretty scared; I’m nervous and excited, all these emotions going at once, because it’s something that really represents me — I wrote everything but two songs — and, you know, it’s kind of nerve-wracking putting yourself out there,” he said. “But it’s also exciting because I want people to hear what I have to offer. I guess it’s because I’m [a] new [artist], but, shoot, next album I’ll probably be just as scared.”

Of course, while he was making the album, he didn’t have time to focus on those fears … after all, he recorded the thing at a breakneck pace, finishing just in time to meet Interscope’s deadline. But, in a way, that schedule helped Phillips strip away any second thoughts and just go with his gut, yet another reason why the album succeeds in spades.

“I had a talk with [Interscope chairman and "Idol" mentor] Jimmy [Iovine] about the album, because there was mixed communications; either we were going to get it out next year, like January or February, then it was December, then it was back to January or February, then finally they said ‘We want to get it out November 19,’ and I was like ‘Woah …’ because that was, like, four weeks away,” he laughed. “So I only had three weeks to do the album; So I went in the studio, with Gregg Wattenberg, who’s a great guy. We would get tired, man, we’d walk into the studio just looking beat up, but we’d be like ‘Man, we’re going to do this.’ From starting the guitars to mastering in three weeks, it was hectic, but we got it done, and I can’t be more proud of it.”

And that pride even extends to The World From the Side of the Moon’s rather puzzling title (for the record, it’s the first line on the album), which had fans scratching their heads when Phillips revealed it last month. But, hey, he’s sticking by it … even if he might go a different route for album number two. Because Phillips will be the first to admit that he’s still got plenty to learn about this whole “famous hitmaker” thing.

“Yeah, I saw the reactions, and it was pretty funny. They were like ‘That’s a stupid title, it doesn’t even mean anything!’ And I’m like ‘You have no idea what’s even on the album, so how do you know it doesn’t mean anything?’” he sighed. “Maybe they still don’t know what it means, who knows? But it represents for me, like, watching myself on this whole past year, how I’ve grown as a person and an artist, and, uh, I really like the title, I thought it was interesting … [but] maybe I’ll go with something different the next time around.”

Do you love Phillip Phillips’ ‘American Idol’ debut? Let us know in the comments below!

Dr. Dre, Jimmy Iovine Introduce The ‘Beat Pill’

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By Rahman J. Dukes

Legendary producer Dr. Dre and Interscope Records founder Jimmy Iovine landed in New York City this week to hold a special press conference where the Beats By Dre founders unveiled their latest prized posession in the next chapter of the Beats phenomenon. Dozens of reporters were holed up inside the Beats By Dre East Coast headquarters where Dre followed by Jimmy introduced the Beat Pill, a portable wireless speaker with built-in customized Beats audio.

Jimmy and company President Luke Wood also showcased the new line of Beats headphones with the Executive premium headphones. “To get a chance and the opportunity to make audio equipment couldn’t be more perfect for me” said Dr. Dre at the press conference on Tuesday. “So I hope you’ve all enjoyed listening as much as we’ve enjoyed creating it.” Both the Beat Pill and Executive headphones are available at the Beats Store as well www.beatsbydre.com.

Game Willing To Re-Sign With Interscope After Jesus Piece

By Rob Markman with reporting by Felicia Morris

Despite his fluctuating relationship with Interscope Records over the years, Game isn’t opposed to signing a new deal with Jimmy Iovine when his current contract is up.The Compton MC has to deliver one more album to fulfill his deal with Interscope, and even though his newly titled Jesus Piece doesn’t have a concrete release date, he’s already thinking about his next move.

“This is my last album with Interscope under my contract, I’ll say that. Interscope has a lot of money, and money makes me happy, so we’ll see,” Game told MTV News on Friday when we paid him a visit on the set for his “Celebration” video.

Birdman has expressed interest in signing Game on previous occasions. The move would make sense, considering Game has collaborated with much of the YMCMB roster and holds strong ties to their team; at this point the former G-Unit soldier is keeping all of his options open. “It’s a possibility I might sign with MTV Records, I don’t know. Anybody that got the right situation for me and the right money,” he said. “Baby is like a big brother to me, Wayne is like a brother to me, Mack Maine, the whole Cash Money/Young Money team, it’s always been love with them so we’ll see.”

Wherever he winds up, Game looks forward to finding out what free agency has to offer. “It’s gonna be a real, real cool situation to be in,” he said.

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Charles Hamilton And Eminem Connect In ‘Subconscious Realm’

Charles Hamilton’s July mixtape Ill Doesn’t Meen Classic included the single “I Don’t Care,” with production from Eminem and he reveals that he actually got to sit down and work with Em on the record, although it was a ”bargaining chip” from Interscope Records. Hamilton also says that he and Eminem stay in contact on a “subconscious” level.

The thing about that track is, it was part of a bargaining chip. The real war came down to Warner Bros. and Interscope,” Hamilton told MTV News. “Jimmy Iovine basically said, ‘Do you wanna work with Eminem?’ and I was said, ‘Sure.’ [But] I had my poker face on. I’m not gonna go, ‘Oh, goodie goodie!’ [But] I get to work with Em. I’ve publicly stated that he’s one of my favorite artists, so I went to work with him. [It was a] very cool situation.”

See More Footage From Charles Hamilton’s Interview

Instead of simply trading material via email, Hamilton sat down in the studio with the Shady Records CEO to craft the song. “He laid the drum pattern down, I played the instruments, wrote my lyrics, wrote the hook and did a piano solo,” he said, going on to reference the “Wayans Brothers” theme song. “We didn’t sit back like ‘We’re brothers! We’re happy and we’re singing and we’re colored!’ We were just cool. We had a very interesting conversation, and in that conversation, I had a decision to make, whether or not I’m going to take the road Em traveled or if I’m going to do my thing.”

After that conversation, Hamilton clearly chose to make his own path (“I definitely didn’t take the road Em took”), and when asked if he still keeps in touch with the Detroit legend, things got a little confusing. “There is the id and the superego, the conscious and the subconscious,” he replied. “In the subconscious world, you can speak telepathically. … In the subconscious realm, yes, Em does reach out. In the conscious realm, the last time he reached out and spoke about me was in 2009 on XXL.So once again, it depends.” See his full explanation in the video above.

The Harlem-bred rapper has been providing fans with a steady stream of music since his release from jail in early 2011, but he admitted that he’s faced some harsh criticism since then.

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Eminem Collabo A ‘Bargaining Chip,’ Charles Hamilton Says

Charles Hamilton debuted his most recent mixtape, Ill Doesn’t Meen Classic, back in July, and it included the track “I Don’t Care,” with a production credit from Eminem. Hamilton tells MTV News that he actually got studio time with Em to produce the single, but the collaboration was part of a “bargaining chip” with Interscope Records.

“The thing about that track is, it was part of a bargaining chip. The real war came down to Warner Bros. and Interscope,” Hamilton explained. “Jimmy Iovine basically said, ‘Do you wanna work with Eminem?’ and I was said, ‘Sure.’ [But] I had my poker face on. I’m not gonna go, ‘Oh, goodie goodie!’ [But] I get to work with Em. I’ve publicly stated that he’s one of my favorite artists, so I went to work with him. [It was a] very cool situation.”

Instead of simply trading material via email, Hamilton sat down in the studio with the Shady Records CEO to craft the song. “He laid the drum pattern down, I played the instruments, wrote my lyrics, wrote the hook and did a piano solo,” he said, going on to reference the “Wayans Brothers” theme song. “We didn’t sit back like ‘We’re brothers! We’re happy and we’re singing and we’re colored!’ We were just cool. We had a very interesting conversation, and in that conversation, I had a decision to make, whether or not I’m going to take the road Em traveled or if I’m going to do my thing.”

After that conversation, Hamilton clearly chose to make his own path (“I definitely didn’t take the road Em took”), and when asked if he still keeps in touch with the Detroit legend, things got a little confusing. “There is the id and the superego, the conscious and the subconscious,” he replied. “In the subconscious world, you can speak telepathically. … In the subconscious realm, yes, Em does reach out. In the conscious realm, the last time he reached out and spoke about me was in 2009 on XXL. So once again, it depends.” See his full explanation in the video above.

The Harlem-bred rapper has been providing fans with a steady stream of music since his release from jail in early 2011, but he admitted that he’s faced some harsh criticism since then.