Nas, Lauryn Hill, Wu-Tang Rock The Bells 2012 And Remember Chris Lighty

41110 nasrockthebells Nas, Lauryn Hill, Wu Tang Rock The Bells 2012 And Remember Chris Lighty

By Lathleen Ade-Brown

Although Rock the Bells 2012 shared the same weekend schedule (Sept 1-2) as Jay-Z’s Budweiser-sponsored Made in America Festival, a massive crowd of staunch hip-hop lovers still flocked to the PNC Arts Center in New Jersey. Boasting a line-up of some of hip-hop’s most revered artists such as Nas, Big Daddy Kane and Ice Cube the two-day festival managed to attract concert goers mostly in their 20’s. This proves the longevity of the genre.

“What did Biggie say?” RZA, the mastermind behind Wu-Tang quizzed the audience on the festival’s opening night, after an impressive set on the main-stage with Wu-Block. “Remember Rappin’ Dukes, duh-ha duh-ha, you never thought that hip-hop would take it this far,” he stretched one arm out to the crowd to briefly chat about hip-hop’s progression. “Yo! We came from the streets of poverty, now you see us on stages and stadiums,” he went on to say, “I’m about to take hip-hop to one more chamber, I’m going to take it to the silver screen.” RZA couldn’t resist plugging in his directorial debut “The Man with The Iron Fists” due out November 2. Expect more future films from your favorite hip-hop artists; Ice Cube who simultaneously performed on the 36 Chambers stage donned in all black and rocking an Afro announced the NWA biopic film he has in the works.

Just a few hours before Wu-Block, Salt-N-Pepa took the main-stage; their performance was impressive yet preachy, the legendary duo made sure to declare their love for God and encourage everyone to attend church. Jersey natives Naughty by Nature performed on the 36 Chambers stage curated by RZA while 2 Chainz, Jadakiss and Future were other artists who performed on the main stage.

Bone Thugs-N-Harmony took to the main stage—putting on a lengthy performance later closing their set with their 1996 hit ‘Tha Crossroads,’ while a slideshow of the late rapper Eazy-E projected across the screen. Without question, the best performance of day 1 was Method Man and Redman who were a comical burst of energy. The duo expressed their frustrations with hip-hop today; Method Man claimed the younger generation of rappers are more concerned with themselves instead of the consumer. He even poked fun at the word ‘swag’ and suggested that there shouldn’t be a slew of hype-men on stage during a performance. He compared today’s performances with back-in-the-day, “it was just an emcee, a microphone and two turntables,” he said. Redman revealed that he and Method Man were planning the sequel to their film “How High” and were fresh out of a meeting for it.

DMX closed out day 1 sans a hype-man with surprise guest Drag-on who simply sauntered across the stage for what seemed like two minutes before disappearing.

Day 2 (Sept 2) was murky as the rain left the amphitheatre inundated with water. The lower level was flooded and fans were agitated. The long intermission between acts added to the agitation but once Slaughterhouse, Common, J.Cole Nas (in that order) illuminated the stage—all was forgiven. Common rocked the stage—also sans a hype-man, performing records off Universal Mind Control and Be. He also serenaded a lucky audience member who had the pleasure of having Common nibble on her cheeks. J.Cole demonstrated a lot of growth in his stage presence when he took the stage. He was in awe at the fact that Nas would soon be touching the same stage as him.

Nas did the honors of closing the final stop of the Rock the Bells tour. With a backdrop of Queensbridge Housing Projects Nas gave his set his all—performing songs from his catalog ranging from Illmatic to Life is Good. He summoned Large Professor and Scarface to the stage, but the real treat came when he brought out Lauryn Hill midway through his performance. The crowd erupted when pint-sized Hill joined Nas on ‘If I Rule the World.’ Despite her tax troubles the singer appeared happy and full of energy. Nas took off to change clothes while Hill took over—the crowd didn’t mind. Adorned in flowing pink pants and a fitted leather coat Hill performed ‘Lost Ones,’ ‘Fu-Gee-La,’ ‘Doo Wop That Thing.’ Like Hill often does, she reminded the crowd that she’s been gone for a long time but she is back now. “Love you, miss you,’ said Hill before taking off.

Hip-hop mogul Chris Lighty was the closing subject to most of the artists who performed during the two-day festival. Common, Raekwon, Nas others paid tribute to Lighty by instructing the crowd to throw a peace sign in the air. Method Man Redman even remembered they were in the hometown of singer Whitney Houston and shouted a rest-in-peace to her.

@Lathleen is a New York City Based Freelance Writer

Tags , , , , ,

N.W.A. Biopic Begins Filming With Help From Dr. Dre, Ice Cube

fe5b7 dre N.W.A. Biopic Begins Filming With Help From Dr. Dre, Ice Cube
via Dr. Dre Twitter

By Bryant Gilmore

Back in March, Ice Cube told MTV News that the upcoming NWA biopic was still in its early stages. The West Coast  rapper revealed that they were working to book people for both in front and behind of the camera to bring the long-awaited film to life, and at that time, the script was about 75 percent done. But based on a Twitpic posted on Dr. Dre’s account yesterday, it looks like they have chosen the right man for directing the project.

Cube’s long-time friend and collaborator F. Gary Gray, whose film credits include the first “Friday,” “Set it Off,” “The Italian Job”, and “Law Abiding Citizen” is up for the job.

Gray is also a prominent music video director who has helmed classics for artists including TLC, OutKast, Ice Cube, R. Kelly, and the late Whitney Houston. His most recent video work was directing “Super High” for Rick Ross in 2010. We will keep you updated as more details about the project emerge but with Cube and Dre this close to the movie and F. Gary Gray behind the camera, we know the movie’s gonna be on point and the soundtrack is gonna be crazy.

NWA was a pioneer rap group from Compton, whose vivid lyrics spotlighted what life was like as young black man from the inner city. The group’s breakthrough debut, Straight Outta Compton, sold over 3 million copies and they endured controversy for their hit songs, “F— Da Police,” “Express Yourself,” and “Appetite for Destruction.” Ice Cube and Dre left the group in the early 90s and went on to have successful careers but tragically founder and producer, Eazy-E, died in March of 1995 of AIDS-related complications and the group disbanded shortly after that.

Tags

Lollapalooza 2012 Shows ‘Passion’ For EDM, Perry Farrell Says

For years, Perry Farrell has championed electronic music at Lollapalooza, whether it was booking Nine Inch Nails at the very first Lolla, Orbital and Prodigy on the ill-fated ’97 trek, or any number of DJs he’s nabbed to appear on his Perry’s Stage when the fest returned to Chicago (to say nothing of his short-lived ENIT fest, which basically was one giant electro party … 15 years too early).

But this year, in a move that reflects the burgeoning appeal of EDM here in the states, electronic acts finally make the leap to the main stage, as both Justice and Avicii have been booked alongside headliners the Red Hot Chili Peppers, Jack White, Black Sabbath and the Black Keys. And, of course, Perry’s Stage will be back, too … only this year, it’s understandably bigger than ever before.

“Well, dance music is a passion of Lollapalooza,” Farrell told MTV News. “We have a stage called Perry’s that became a tent, and I told them ‘Don’t put a tent on that thing, it’s going to burst at the seams’ … and sure enough it has. We don’t have a Perry’s tent anymore; Perry’s area, however, is in the wide open, under the stars and the moon and you can dance amongst the trees.”

And in a lot of ways, that seems to reflect Farrell’s purest desire for Lollapalooza. Ever since it began, he’s envisioned it as a sort of free-flowing, communal Utopia, with minds being expanded and consciences lifted to the strains of electronic music. And it’s just one of the things he’s most proud of with Lolla ’12, which reflects the fest’s expansion to South America and its growing presence on the international stage. Of course, none of that would mean anything if he didn’t succeed in putting together a world-class festival, and this year, he feels he’s definitely accomplished that.

“When I go to speak to [festival] producers around the world, I say to them ‘Our ambition is to bring international lifestyle and music to your country; are you in, or are you out?’ And no one has said no, so far,” he explained. “But I end up finding out that, as we go in there, thinking that we know everything, we find these beautiful discoveries. For example, in Brazil, we find O Rappa, which is a group that are as badass as NWA. We find in Chile, a group like Los Jaivas, who are as deep and soulful as Black Sabbath [both bands are on the Lolla '12 bill]. So we all are teaching each other and learning from each other … and I feel like the world is becoming one big musical family.”