Carrie Underwood Scores Third #1 Debut With Blown Away

Carrie Underwood is on a roll. The former “American Idol” champ will land her third #1 debut in a row next week when Blown Away easily tops the Billboard 200 tally. Underwood sold 267,000 copies of her fourth effort, according to figures provided by Nielsen SoundScan, which was more than enough to hold off Norah Jones , whose Danger Mouse-produced Little Broken Hearts will come in at #2 on sales of 110,000.

There were plenty of other new faces in the top 10, including NOW 42 (#3, 95,000), “So Good” rapper B.o.B‘s Strange Clouds
 (#5, 76,000), the cast album for the NBC show “Smash” (#9, 39,000) and veteran shock rocker Marilyn Manson‘s Born Villain (#10, 38,000).

The rest of the top 10: Adele, 21 (#4, 77,000), Lionel Richie, Tuskegee (#6, 64,000), Jack White, Blunderbuss (#7, 56,000) and One Direction, Up All Night (#8, 45,000).
Though the movie smashed just about every box office record
 there is, Avengers Assemble, the hard-rocking soundtrack to “The Avengers,” featuring Soundgarden, Shinedown, Rise Against, Papa Roach, Bush, Evanescence and Buckcherry, landed at #11 (27,000).

In the wake of Beastie Boys member Adam “MCA” Yauch’s
 death on Friday, the group’s landmark 1986 debut, Licensed to Ill, broke back onto the charts at #18 on sales of 19,000, as business picked up by more than 800 percent over the previous week.

It was one of several Beastie Boys albums
 that crashed back onto the charts, which also included Solid Gold Hits (#51, 8,000), Paul’s Boutique (#56, 8,000), Hot Sauce Committee Part Two (#107, 4,000), Ill Communication (#109, 4,000), Check Your Head (#124, 4,000) and Anthology: Sounds of Science (#141, 3,000).

Santigold debuted at #21 with Master of My Make-Believe
 (18,000), while the other British boy band, The Wanted, took a major tumble in week two for their debut EP, which plummeted 25 spots in week two to #32 as sales fell 65 percent to 12,000. Madonna also didn’t have much to brag about, as MDNA shed another 20 spots to dip to #65 as sales slipped another 30 percent to just under 7,000, leaving the album short of the 500,000 mark.

Underwood also ruled the iTunes album chart, where she edged out B.o.B, who was followed by Jones, White, One Direction, the Beasties’ Licensed to Ill, Adele, NOW 42, the “Smash” soundtrack and Manson. On the iTunes singles chart, Gotye continued a strong run with breakout hit, “Somebody That I Used to Know,” which beat out Maroon 5‘s “Payphone,” Carly Rae Jepsen‘s “Call Me Maybe,” fun.‘s “We Are Young” and Justin Bieber‘s “Boyfriend.” One Direction were at #6 with “What Makes You Beautiful,” followed by B.o.B’s “Both of Us,” Nicki Minaj‘s “Starships,” Flo Rida‘s “Wild Ones” and the Wanted’s “Glad You Came.”

The top 10 should remain relatively stable next week, as the only new releases will come from Karmin, Silversun Pickups, Keane and Mary Mary.

a20b9 spotted Carrie Underwood Scores Third #1 Debut With <I>Blown Away</I>

Beastie Boys Face Copyright Lawsuit After Adam Yauch’s Death

e08a9 adamy1 Beastie Boys Face Copyright Lawsuit After Adam Yauchs Death

Talk about bad timing. Beastie Boys‘ member Adam Yauch died on Friday (May 4) after a long battle with cancer, and in the midst of tributes to the legendary performer, the group is now dealing with with a copyright infringement lawsuit. Music label Tuf America is suing the Beastie Boys, claiming that the group illegally sampled some of their music.

Adam Yauch, Beastie Boys Remembered By ‘Fight For Your Right’ Director

Reps at the label are accusing the Beastie Boys of illegally sampling Trouble Funk’s “Drop The Bomb” and ”Say What” on their early singles “Car Thief,” “The New Style,” “Hold It, Now Hit It” and “Shadrach,” which appeared on their first two albums Licensed to Ill and Paul’s Boutique.

AllHipHop reports that the lawsuit was filed on Thursday(May 3) just one day before Yauch passed away, also naming Capitol Records as a defendant. The company says that careful analysis has shown that the Beastie’s incorporated elements of their copyrighted music into songs without permission. Tuf America is aiming to lock down a trial, which would determine if they are owed any damages.

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Adam Yauch And The Beastie Boys: A Band Of Brothers

After the death of Adam Yauch last week, I am almost 100 percent sure that the Beastie Boys are no more. And while that’s a shame, it’s also fitting: After all, it is impossible to imagine them existing without him.

Of course, how the Beasties choose to honor Yauch’s legacy — or carry on with their careers — is ultimately up to them, which is why I can’t say with total certainty that we’ve heard the last of them. And, to be honest, it’s probably too early to even think about it. So instead, I’ll just say that if they truly are done, there will never be another group like them.

And I’m not just saying that because of their legacy, creativity or consistency, all of which have been lauded at length in the days since MCA died (and rightfully so). No, what made the Beastie Boys so unique — and so undeniable — was the magic that the trio possessed, an indefinable quality that can only be honed over decades, and never duplicated.

Part of it was pure skill; the way they bobbed and weaved through verses, often completing each other’s sentences, literally passing the mic. In a lot of ways a great Beasties song was a lot like a Globetrotters’ routine — they’d sling passes into the ether, always knowing that someone would be there to catch it, never letting the beat skip or the ball drop. And you’d just sit there and marvel at it all.

But there was always something deeper about the connection: The Beasties were brothers in arms. From beer-guzzling partymeisters to stony thrift enthusiasts to pop-cult obsessives to downright deep doyens, they grew up together — grew old together — but never lost the joy of youth. And because of that, there was a genuine sense of camaraderie that accompanied them every step of their career. No matter what they were doing, you got the sense that there was no one else they’d rather be doing it with. The Beastie Boys truly loved each other, in that unerring, unwavering way that only old friends can. You know it from the heart-wrenching statements the two surviving members have released since Yauch’s death, but more importantly, you feel it in their music.

It’s there in the goofy boasts of Paul’s Boutique tracks like “Shake Your Rump” and “Egg Man” (not to mention album-closing mega-mix “B-Boy Bouillabaisse”) and the all-in surge of “So What’cha Want,” from the follow-up, Check Your Head, where they took the leap together, expanding their sonic palette with instrumentals … and their collective consciousness on tracks like “Namaste.” You feel them becoming closer — not to mention a tighter band — on Ill Communication and The In Sound from Way Out!, having a blast on stuff like “Intergalactic” or “Three MCs and One DJ” off Hello Nasty, getting contemplative on To The 5 Boroughs. And on last year’s Hot Sauce Committee Part Two, they paused to look back on how far they’ve come … not to mention let it all hang out. It’s the kind of growth that’s inevitable, given their closeness; yet it’s also the kind that cannot be forced in any way, shape, or form.

And while there certainly have been other great hip-hop groups in the decades since the Beastie Boys first blasted onto the scene (Run-DMC, Public Enemy, the Wu-Tang Clan, etc.), none were able to sustain the kind of career — or the connection — that MCA, Mike D and Ad-Rock had. Their contemporaries were pulled apart, imploded, faded away or simply lost focus … the Beasties did none of those things. To the end, they were one team, one dream; they were never greater than the sum of their parts.

Which is why I say it’s impossible to imagine the Beasties existing without MCA, and why I’m certain we’ll never see the likes of them again. Many will try to replicate it, of course, assembled by shadowy Svengalis to feign friendship, but they’ll never beat the B-Boys, because they were actually friends. No group will share the kind of bond they did, no group will be as selfless or as tightly knit.

And if this really is the end, then all of that is worth noting, not to mention celebrating. The Beastie Boys were one of the all-time greats, regardless of genre; they went deeper than all that. Theirs was the kind of connection we all strive for and, if we’re lucky, maybe find once in our lives.

Do you think there will ever be another group like the Beastie Boys? Share your thoughts in the comments.

Beastie Boys Albums Storm iTunes Following Adam Yauch’s Death

In what has become a modern digital mourning ritual, fans of the Beastie Boys swarmed onto iTunes over the weekend to snatch up copies of the trio’s albums in honor of the passing of member Adam “MCA” Yauch.

The rapper, who died on Friday
 at age 47, left behind a legacy of eight studio albums with partners Adam “Ad-Rock” Horovitz
 and Michael “Mike D” Diamond. With everyone from Madonna
, to the B-Boys’ longtime DJ, Mix Master Mike and Justin Timberlake
 paying homage, as well as in-concert shout-outs from Coldplay, the Red Hot Chili Peppers and fun. over the weekend, Yauch’s memory was clearly on the minds of his peers.

But fans were feeling nostalgic as well, since all of the trio’s studio albums featuring their intricate rhymes rocketed onto the iTunes charts since the news broke friday. As of press time on Monday morning (May 7), the group’s 1986 debut, Licensed to Ill moved up to the #3 position on the iTunes album chart, with the sample-thick 1989 follow-up, Paul’s Boutique, on the chart at #13. A 1999 anthology charted at #26, followed by 1994′s Ill Communication at #27, 1992′s rock and rap hybrid Check Your Head (#38), their final studio effort, last year’s Hot Sauce Committee Part Two (#42), the Boutique re-issue (#83), 2004′s To the 5 Boroughs (#174) and the Head re-issue (#184).

The sales surge followed the pattern of rush buying that accompanied the recent deaths of Whitney Houston
, Amy Winehouse
, Etta James and Michael Jackson
.

It’s likely that a number of the albums will make it onto the Billboard 200 chart this week as well when it is released on Wednesday.

Share your memories of Adam on Twitter using the hashtag #RIPMCA.

Adam Yauch Dead: MCA Remembered In Beastie Boys Videos

By Gil Kaufman

The Beastie Boys were infamous for their off-the-wall music videos. Adam Yauch, one third of the legendary trio, died on Friday (May 4) but a look back at their impressive catalog finds his legacy very much alive.

From the frat-boy fun of 1986′s “(You Gotta) Fight for Your Right (To Party)” video to what will likely be their final clip, a 2011 all-star clip to promote the Hot Sauce Committee Part Two single “Make Some Noise” and the “Fight for Your Right Revisited” film, the B-Boys not only had fun, they made sure we did too.

With the passing of Adam Yauch (a.k.a. MCA) on Friday (May 4) at age 47 following a three-year battle with cancer, MTV News takes a look back at some of the trio’s most beloved clips, as well as the ones directed by Yauch under his Swedish pseudonym, Nathaniel Hornblower.

“(You Gotta) Fight for Your Right (To Party)”
This is the one that launched MCA, Ad-Rock and Mike D to global stardom. The party anthem was accompanied by a very literal video in which, well, the fellas throw a crazy party and trash the joint.

“No Sleep Till Brooklyn”
Young, wild and free, the Boys lampoon heavy-metal knuckleheads after a cheesy club promoter turns them away when they show up with their “instruments” (i.e. scratch-ready records). Wearing metal wigs and Poison-worthy spandex, they soon strip down to their streetwise uniforms and start raising some hell and engaging in the kinds of shenanigans they became infamous for when they hit the road with Madonna on their first major tour. It’s silly and amateurish, but then again, so were they at that time.

“Hey Ladies”
In one of the first of many clips in which the trio would slip into a number of alternate personas, this video from Paul’s Boutique had it all: sushi chefs, eight-track tapes, disco dancing, human clocks, cowbells, pimp suits, a mariachi band, fake mustaches and goatees, scuba diving, Afro wigs, “Saturday Night Fever” homages, a “Free James Brown” subliminal message, a 1970s Vincent Van Gogh and the original appearance of booty pads.

“So What Cha Want”
They weren’t all high-concept. Yauch was behind the lens for this 1992 mind-tripper, which simply tracked the three MCs as they flexed and rapped their way through a forest tricked out with negative-image special effects intercut with ominous nature footage.

“Sabotage”
The ne plus ultra of Beastie videos, this ’70s cop-show spoof directed by pal Spike Jonze is one of the funniest and most creative clips in music-video history. Action-packed and simultaneously utterly ridiculous, the mini-movie finds the Boys cruising the streets of San Francisco in a late model sedan while chasing the bad buys in an increasingly ridiculous series of wigs, mustaches and costumes. Yauch appears as the dapper Sir Stewart Wallace, as well as Nathan Wind playing Cochese.

“Intergalactic”
Filmed by Hornblower, this classic spoof of Japanese monster movies from 1998′s Hello Nasty is again awash in absurd costumes as Yauch makes popping, locking killer robots look expensively cheap. Between shots of the haz-mat-suit-wearing MCs posing and rapping in Tokyo subway stations and streets into a fish-eye lens, we see their scientific alter egos trying to save their giant robot from getting short-circuited by a sea creature.

“Body Movin’ “
Yauch/Hornblower went highbrow with the video for this Hello Nasty single, which was inspired by the beloved cult 1968 Italian cat-burglar caper “Danger Diabolik.” Once again, Yauch dressed himself and his partners-in-crime in absurd outfits and had them act out everything from laughable sword fights (complete with a bloody Yauch beheading) to catapult escapes, helicopter vs. car chase scenes and midair parachute wrestling matches.

“Ch-Check It Out”
Not as well known, this kinetic Hornblower clip from 2004 is another mix of aggressive into-the-camera rapping, with bits of everything from “Star Trek” homages, swamp airboat chases, to the Boys in old-lady drag throwing fish across the avenue at their male counterparts.

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Adam Yauch Promised To Bring ‘Rock And Roll Back’ In 1986

“I’d just like to say that we, the Beastie Boys, are putting rock and roll back into rock and roll, and doing just what you, the listeners, want to hear! Yeah!”

That’s the promise Adam Yauch made to MTV News back in 1986, and it’s a promise the Beastie Boys have followed through on ever since. The news of Yauch’s death meant the passing of a rock and hip-hop legend, and MTV News has spent the day honoring and remembering a man who has given us so much.

Our hour-long special “Adam Yauch: Remembering a Beastie Boy” took viewers back to 1986, to a time when the Beastie Boys had just released License to Ill to international critical acclaim and commercial success. MTV News caught up with Yauch, Michael Diamond and Adam Horovitz — better known as MCA, Mike D and Ad-Rock — on New Year’s Eve at MTV‘s sixth annual Rock and Roll Ball. They were riding high, and they promised that the next year would be even better.

“In 1987, the Beastie Boys are going to be taking over America!” MCA promised. “America, watch out, because we’ve got a new show … “

” … And lots of stuff!” Ad-Rock added, before all three of them started yelling, “Yeah!” and banging their heads together.

The Boys were gushing about their upcoming shows and how they were going to treat their fans to the performances of their lives. It’s funny now hearing them talk about opening for Madonna, because they have since become such an important act that we can’t imagine them opening for anyone.

When asked how their show in Iowa was going to go over, Yauch answered, “Well, I think our show’s going to go over … “

” … Very good!” Horovitz piped up.

“Very well, thank you!” Diamond finished.

As they promised, 1987 was a big year for the Beastie Boys, and 1988 was even bigger. They put out their second album, Paul’s Boutique, that year, and it’s since been considered one of their strongest records.

With each passing year, the Beastie Boys became bigger and bigger, and they likely would still be making music today had Yauch not tragically been diagnosed with cancer in 2009. He was unable to attend the group’s Hall of Fame induction ceremony last month, which sparked concerns about his health. He died after a lengthy battle with cancer of the parotid salivary gland and leaves behind his wife, Dechen Wangdu, and daughter, Tenzin Losel.

Share your memories of Adam on Twitter using the hashtag #RIPMCA.

Adam Yauch’s Beastie Boys Videos: A History

There are bands that make great music and others that make great videos. But there is a rare breed of act that makes both. Since their very earliest days, the Beastie Boys were in that latter category.

From the frat-boy fun of 1986′s “(You Gotta) Fight for Your Right (To Party)” video to what will likely be their final clip, a 2011 all-star clip to promote the Hot Sauce Committee Part Two single “Make Some Noise” and the “Fight for Your Right Revisited” film, the B-Boys not only had fun, they made sure we did too.

With the passing of Adam Yauch (a.k.a. MCA) on Friday (May 4) at age 47 following a three-year battle with cancer, MTV News takes a look back at some of the trio’s most beloved clips, as well as the ones directed by Yauch under his Swedish pseudonym, Nathaniel Hornblower.

“(You Gotta) Fight for Your Right (To Party)”
This is the one that launched MCA, Ad-Rock and Mike D to global stardom. The party anthem was accompanied by a very literal video in which, well, the fellas throw a crazy party and trash the joint.

“No Sleep Till Brooklyn”
Young, wild and free, the Boys lampoon heavy-metal knuckleheads after a cheesy club promoter turns them away when they show up with their “instruments” (i.e. scratch-ready records). Wearing metal wigs and Poison-worthy spandex, they soon strip down to their streetwise uniforms and start raising some hell and engaging in the kinds of shenanigans they became infamous for when they hit the road with Madonna on their first major tour. It’s silly and amateurish, but then again, so were they at that time.

“Hey Ladies”
In one of the first of many clips in which the trio would slip into a number of alternate personas, this video from Paul’s Boutique had it all: sushi chefs, eight-track tapes, disco dancing, human clocks, cowbells, pimp suits, a mariachi band, fake mustaches and goatees, scuba diving, Afro wigs, “Saturday Night Fever” homages, a “Free James Brown” subliminal message, a 1970s Vincent Van Gogh and the original appearance of booty pads.

“So What Cha Want”
They weren’t all high-concept. Yauch was behind the lens for this 1992 mind-tripper, which simply tracked the three MCs as they flexed and rapped their way through a forest tricked out with negative-image special effects intercut with ominous nature footage.

“Sabotage”
The ne plus ultra of Beastie videos, this ’70s cop-show spoof directed by pal Spike Jonze is one of the funniest and most creative clips in music-video history. Action-packed and simultaneously utterly ridiculous, the mini-movie finds the Boys cruising the streets of San Francisco in a late model sedan while chasing the bad buys in an increasingly ridiculous series of wigs, mustaches and costumes. Yauch appears as the dapper Sir Stewart Wallace, as well as Nathan Wind playing Cochese.

“Intergalactic”
Filmed by Hornblower, this classic spoof of Japanese monster movies from 1998′s Hello Nasty is again awash in absurd costumes as Yauch makes popping, locking killer robots look expensively cheap. Between shots of the haz-mat-suit-wearing MCs posing and rapping in Tokyo subway stations and streets into a fish-eye lens, we see their scientific alter egos trying to save their giant robot from getting short-circuited by a sea creature.

“Body Movin’ “
Yauch/Hornblower went highbrow with the video for this Hello Nasty single, which was inspired by the beloved cult 1968 Italian cat-burglar caper “Danger Diabolik.” Once again, Yauch dressed himself and his partners-in-crime in absurd outfits and had them act out everything from laughable sword fights (complete with a bloody Yauch beheading) to catapult escapes, helicopter vs. car chase scenes and midair parachute wrestling matches.

“Ch-Check It Out”
Not as well known, this kinetic Hornblower clip from 2004 is another mix of aggressive into-the-camera rapping, with bits of everything from “Star Trek” homages, swamp airboat chases, to the Boys in old-lady drag throwing fish across the avenue at their male counterparts.