What’s The Latest On Zach Braff’s Kickstarter Controversy?

 Whats The Latest On Zach Braffs Kickstarter Controversy?

By Beckett Mufson

Zach Braff, famous for his role as J.D. in the sitcom “Scrubs,” has raid just under $2.5 million dollars in donations for his new movie, “Wish I Was Here,” with crowdfunding site Kickstarter—but not everyone on the Internet is as enthusiastic as his 35,000 donors.

Ten days after it hit the web, TV writer/blogger Ken Levine (“Mash,” “Frasier,” “The Simpsons”) published a condemnation of Braff’s Kickstarter, along with the “Veronica Mars” campaign launched in March, that went viral, gaining 600,000 views. Levine said, “Zach Braff is a good actor and a fine filmmaker. But I wouldn’t give him a dime.”

He goes on to say that Kickstarter is a site that should be supporting filmmakers with no other prospects the same way Sundance Film Festival did in the 1990s. “[Sundance] showcased modest little movies by unknown filmmakers. Kevin Smith made Clerks (1994)— a grimy black and white film starring all unknowns. The result was discovered talent.”

As it so happens, Kevin Smith is now pulling together his own indie project, “Clerks 3,” and has announced that he will not crowdfund it. According to Comicbook.com he said, “We nearly Kickstarted the budget back in November. But now I’m feeling like that’s not fair. I’ve got access to money now, so I should use that money and not suck any loot out of the crowdfunding marketplace.”

Levine asserts that Kickstarter projects with big names behind them will monopolize the crowdfunding market, but Braff disagrees. He told the LA Times that, “most of the backers of my film aren’t people on Kickstarter who had $10 and then gave it to me instead of someone else. They came to Kickstarter because of me.” Braff also has defended himself by denying a rumor that he is worth $22 million dollars and could fund the film himself. “I’m doing this so that one negative audience comment in a test screening won’t force me to change the end of my movie,” he said.

Levine’s post on Tuesday birthed a 227-comment discussion. Blogspot user Revan Adler echoed Braff’s point that the project is more likely to increase Kickstarter’s visibility than to take up its resources. This benefits both Braff and independent filmmakers looking for funding. Matt Celia commented that Kickstarter “isn’t a zero sum game. Just because I donate to Zach Braff doesn’t mean I wouldn’t donate to your project or another project.”

This morning Levine addressed these concerns, admitting that he had no evidence that Kickstarter investors are a finite resource and that Braff may indeed bring more visibility to the site. However, he still has doubts about whether this Kickstarter will earn Braff the independence he craves, since “Wish I Was Here” will still be subject to Hollywood distributors. He wrote, “It’s not impossible that a buyer might say, ‘We’ll distribute it but we want you to cut this scene.’ [Braff] still might end up editing his film to someone else’s specifications.”

Levine closed his most recent post by saying, “I love Kickstarter because it offers an alternative to the studio system. I just want to make sure those young filmmakers have a shot. That’s all.”

‘Kings Of Summer’ Teaser Trailer Brings The Sundance Charmer To You

 Kings Of Summer Teaser Trailer Brings The Sundance Charmer To You

“The Kings of Summer,” previously known as “Toy##Q##s House,” charmed the pants off of everyone in Park City that saw the coming-of-age comedy during its debut at the Sundance Film Festival.

After CBS films snapped up the film##Q##s rights for an appropriate May 31 release date, it seemed that the indie film might live up to its new name.

The studio just released a short teaser trailer for “The Kings of Summer” that should give you an idea of what to expect when it his theaters this summer.

“The Kings of Summer” stars Alison Brie, Moises Arias, Gabriel Basso, Nick Robinson, Nick Offerman, and Megan Mullally. It will open in theaters on May 31.

Shia LaBeouf And Evan Rachel Wood Contemplate Penis Fingers On After Hours

The stars of the Sundance Film Festival answer the gamut of questions about their films, but few had to stand up to the grilling Shia LaBeouf and Evan Rachel Wood, stars of “The Necessary Death of Charlie Countryman,” faced at the hands of MTV News’ Josh Horowitz.

In the latest episode of “After Hours,” LaBeouf and Wood have to answer the hardest question of them all, “Would you rather?”

Watch the video above to find out the difficult answers to questions like: “Would Shia rather have penis fingers or a finger penis?” or “Would Evan rather change her name to ‘Evan Almighty’ or ‘Woody Harrelson’? “

Channing Tatum Fears ‘Magic Mike’ Sequel Without ‘General’ Soderbergh


You might want to put those dollar bills back in the bank for the time being. The long-simmering “Magic Mike” sequel is still only at the “maybe it’ll happen” stage of the game.

There’s a catch according to Magic Mike himself, Channing Tatum, isn’t sure the film can happen without his pal and “Side Effects” director Steven Soderbergh involved with the project. “There are scripts [for those projects]. We’re always working on them and I think that you’ll probably see ‘Jump Street 2′ more than likely [first],” he told MTV News at the premiere of “Side Effects” last week in New York City, dashing hopes about the future of the “Magic Mike” franchise.

“You saw ‘Jump Street‘ before ‘Magic Mike‘ in the past,” he continued. “I don’t know, like look, I don’t know if we can do ‘Magic Mike 2′ without our General [Soderbergh]. So it’s hard. It’s a hard situation to be in. Soderbergh says he’ll produce it and we’re like ‘OK, what director’s going to want to come on and like try and come behind you?’”

Soderbergh has already said that he’s done with film. So that means he certainly won’t be back in the director’s chair to put his signature stamp on the sequel to the hit 2012 film about a bunch of male strippers with hearts of gold. It’s been long rumored that Soderbergh’s assistant director Greg Jacobs might take over directing duties. Tatum added, “It’s hard. We’re gonna figure it out; either [Soderbergh will] do it or maybe we won’t do it. We’ll figure it out.”

While the project’s status is still unknown, MTV News caught up with Tatum’s co-star, Matthew McConaughey, at Sundance Film Festival last month. He seemed more hopeful about the sequel’s fate. “I know it’s something that’s legitimately brewing,” he shared, before adding what would to go down in the sequel to get him to sign on again.

“In the right way. It would be so much fun, but I would only be able to do to revisit Dallas if I really go ‘OK, that’s what he would be doing.’ And Dallas can’t become like all of a sudden obviously comedic,” he explained. “I’d have to keep him the same tone. He’s committed.”

Will “Magic Mike” live on? Give us your thoughts in the comments!


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Would James Franco Ever Have Sex Onscreen?

Things get really real in “Interior. Leather Bar.” — including the sex scenes.

The film is James Franco‘s re-examination of Al Pacino‘s 1980 flick “Cruising,” and it has some real-life sexy times in it. While Franco avoids getting in on any of the action in the NSFW flick — which just debuted at the Sundance Film Festival — he did tell MTV News that, for the right project, he would consider pulling a Shia LaBeouf and have sex for real with the cameras rolling.

“I’d say under the right circumstances. There are a lot of circumstances,” he said, with co-director Travis Mathews by his side. “Who’s involved? Both behind-the-scenes, behind the camera, in front of the camera.”

So, what would that perfect project be? Well, maybe he’ll do it for Michael Bay in the next “Transformers” flick. “OK, well that’s all you had to say … duh!” he laughed. “Sounds like a blockbuster to me!”

Sex and Sundance: Was this year the raunchiest on record?

Of course, sex as been at the forefront of many a Franco project as of late, including films like “Kink” and “Lovelace,” and he doesn’t really get what all the hoopla is about when it comes to capturing sex and sexuality on the big screen.

“It’s hard to put certain kinds of sex in film,” Franco said. “Now, I could sort of understand that if it wasn’t so easy to put other kinds of things in film, like violence. Obviously, there’s some weird standard here that is just illogical.

“Sex and sexuality are such big parts of our lives — the ways that we define ourselves, the ways that we interact with each other,” he said. “Everyone thinks about it. Everyone knows about it. Even if you insist on living an incredibly chaste life and you’re chaste in your thoughts, that’s a conscious and concerted effort to keep sex from your thoughts. So you’re still engaging with sex even if it’s in a negative capacity. It’s a huge part of our lives. It’s part of being human.”

Robert Rodriguez Would Direct Han Solo-Centric ‘Star Wars’ Movie

Though the mystery of the “Star Wars: Episode VII” director may be solved, the future of the franchise and the talk of spin-off movies still lingers. In theory, standalone movies set in the “Star Wars” universe would be a way of attracting serious talent who would otherwise be hesitant to commit to numbered installment and who could put their own spin on George Lucas‘ world.

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Given the chance to talk to Robert Rodriguez at this year’s Sundance Film Festival, of course MTV News’ Josh Horowitz had to ask if the genre director would ever like to take a crack at the world of Jedis and intergalactic smugglers.

In general, Rodriguez is definitely on board for standalone “Star Wars” movies. “I don’t mind them doing more ‘Star Wars,’ ” he said. “I also like the whole idea of them doing off-shoot films, like you just have a ‘Boba Fett‘ movie over here.”

“There’s so much you can do. George has built such an enormous world that just to be waiting now again, who’s going to live up that? It’s almost like they should just branch it out, and let people play with those characters. There’s such rich stuff.”

But don’t assume that the prospect of toying with the “Star Wars” universe is going to attract every fanboy director. “I don’t know. It depends on what it was. George really inspired me to do what I’m doing now, which is the same thing he did,” Rodriguez said. “He originally wanted and couldn’t get the rights to ‘Flash Gordon.’ He tried, couldn’t get it, so he went and wrote ‘Star Wars,’ which was his complete take on ‘Flash Gordon,’ even to the opening titles crawl that went that way…. I think if I asked [Lucas] for advice, he would say ‘Go make your own “Star Wars” universe, kid.’ “

Given the opportunity, however, Rodriguez simply couldn’t turn down Han Solo. “If there was something that somebody said, ‘Here, Han Solo, his own adventures.’ I’d go do that.”

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James Franco Brings His Sexual Energy To After Hours

Some guys just have it all, and now James Franco has added a title to his already impressive résumé that will make you feel even more insignificant.

You’re looking at the world’s newest Sex God.

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In the latest episode of After Hours, MTV News’ Josh Horowitz traveled all the way to Park City, Utah to speak with His Sexiness at the Sundance Film Festival. Their discussion would push the boundaries of sensual exploration and include topics like “What does Franco call his penis?” and “What is his favorite sexual base?” Needless to say, things get heated.

You can learn of all this and Franco’s most powerful secrets on the new episode of “After Hours.”

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Jeremy Lin Schools His NBA Haters In ‘Linsanity’ Doc

What are the chances that Jeremy Lin and the Houston Rockets — in the midst of an 82-game regular season — would be playing the Utah Jazz hours after the close of the Sundance Film Festival on Sunday, allowing the point guard to pop over to Park City, Utah, for the final screening of his documentary “Linsanity”?

Then again, what are the chances the world would even know the name Jeremy Lin? That the undrafted Harvard grad would become an international sensation who gave New York Knicks fans a reason to root for the team during an otherwise abysmal season? That the Knicks would then fail to re-sign him and that Lin — courtesy of a three-year, $25 million contract — would head to Houston? That an MTV News producer named Evan Jackson Leong had been following around Lin for years for what everyone involved thought would be a small documentary about an Asian-American basketball player who no one had ever heard of? That “Linsanity” would end up getting into Sundance and receive rave reviews?

Some things are just too hard to explain. To hear it from Lin’s perspective in the doc, it’s all part of God’s plan. For Leong, who stopped by to chat with his old colleagues at Sundance, all these questions amount to the craziest year of his life.

MTV News: It’s been one year since you left MTV News. At what point did you realize you were sitting on something that was much bigger than you ever expected? Was it that first game where he went big? Was it a couple of games in?

Leong: I think we have to go back and know that we were shooting this when he was at Harvard. I was at MTV; I was using my vacation days to film him. At that point in the documentary, we didn’t really have a great ending. We had a bittersweet story. He made it to the NBA, which is amazing in itself, but it wasn’t a very good start to his career. That first game, he gave us an ending. And that second game, he gave us an ending, and he just kept going. We were just blown away. We didn’t even know what happened. We’re like, “Oh yeah, we’re shooting a documentary!” And we have all the access before anyone else does.

MTV: People know the NBA story of Jeremy Lin, but what’s really cool about the film is you find out these little moments about Jeremy. In the best way possible, he’s kind of a dork who likes “Aladdin” and “The Lion King” animated films, he likes to sing karaoke.

Leong: There’s the Jeremy that everyone sees, the one that’s media-trained and ESPN-ready. But then there’s the Jeremy behind closed doors. It’s not a bad Jeremy, it’s not something you have to hide from, but it’s also one that he’s very protective of. I think in any documentary, something like this, you spend two or three years with someone, you want to earn their trust. And when you earn their trust they’re going to give you things that you might not normally get. I think that’s what we built.

MTV: When is the first time you heard that word “Linsanity”?

Leong: Maybe the second game I heard it, and I texted that to Jeremy and he didn’t text me back. And then I realized I don’t think he liked it that much. He didn’t like the name. He likes Jeremy; he doesn’t like using everything as Lin puns.

MTV: Race and racism play a strong role in the documentary.

Leong: I think we all know racism still exists here in America, and that was something you couldn’t get away with in this documentary. He’s an Asian guy, and there’s not a lot of Asian-Americans that high in the media. So when they do reach that level, they are going to be exposed, and there’s going to be stuff that comes out. What I really wanted to try and do and show on this documentary was the evolution of how he dealt with that, because it was new to us, but he’s been dealing with that his whole life. And I think we can learn from how he deals with it now. In the documentary, you see he has a little bit of a chip on his shoulder when he’s younger, a little bit of something to prove. He realizes that playing for that — those reasons — those aren’t the right reasons to play. By the end, I think we can all learn from how he deals with race. If everyone looked at racism in that sense, by letting it go and focusing that energy, I think what he did outshines any of that stuff by a tremendous amount.

MTV: So was he able to have a sort of enlightened approach to it all?

Leong: He’s really at an enlightened stage these days. When people say racist stuff, he laughs. It doesn’t bother him to the degree of anything anymore. I’d probably get pretty mad, but it doesn’t bother him anymore. There’s far bigger things that he has to worry about in his life, and again, he’s become that high. You’re always going to have haters, and they’re always going to be the ones that say stuff.

MTV: You ended the film at a point before the injury that ended his season, before the contract negotiations and all that stuff. Why did you decide to end it there?

Leong: It’s a good question, because no one’s asked me that one, which is great. We ended it with Linsanity because I wanted to make this a legacy film. Ten years from now, 20 years from now, I want to be able to show my kids, and I hope that he can show his kids, that this is what happened. There’s always going to be news about him and those little media controversies. No one’s gonna remember that kind of stuff 10 years from now; they’re just going to remember those nine games. It’s contract stuff, and that’s business, but ultimately at the end of the day, I’m not in those rooms, so I don’t know what’s going on with all that. And also at the same time, by ending with that — you take that journey and end it with that — you can’t have a better ending than that.

Ashton Kutcher Is Actually Pretty Good In First ‘jOBS’ Clip

3fa8c Kutcher jOBS Banner Ashton Kutcher Is Actually Pretty Good In First jOBS Clip

Ashton Kutcher‘s Steve Jobs biopic, which is closing this year’s Sundance Film Festival, has yet to screen in Park City, but the very first clip from “jOBS” has hit the web, courtesy of Entertainment Tonight.

The clip shows Kutcher as the Apple founder trying to convince Josh Gad as Steve Wozniak that his idea is something they can develop together and sell to everyone. (As if that will ever catch on!)

Check out the first clip from “jOBS” after the jump!

As one of the highest profile premieres at Sundance this year, the biopic already has distribution from Open Road, so you’ll be able to see the full thing on April 19, 2013.

What did you think of the first clip from “jOBS”? Let us know in the comments below and on Twitter!

Is Lindsay Lohan’s ‘The Canyons’ Too ‘Controversial’ For SXSW?

It seems Lindsay Lohan‘s career has hit yet another snag. The SXSW Film Festival has reportedly passed on premiering her film “The Canyons” after screening it due to “quality issues.”

But, producer Braxton Pope stands by the film despite the criticism. ” ‘The Canyons’ is a controversial, provocative piece of filmmaking,” Pope told MTV News exclusively in response to The Hollywood Reporter report. “The content of the film is incompatible with provincial film sensibilities. When the film is released, audiences will decide whether it is successful or not.”

A source close to the festival, which takes place this March in Austin, told THR that they passed on the film for a number of reasons, including the fact that “it’s got an ugliness and a deadness to it.”

“Regarding SXSW, as an alum of the festival, having produced two films that premiered there, I received an email from the head of the fest apologizing for their lack of professionalism in talking to the press,” Pope told MTV News.

This not the film’s first film festival rejection. Earlier this month, TMZ reported that the Sundance Film Festival passed on the project as well.

Along with Lohan, “The Canyons” stars adult film star James Deen. It was written by Bret Easton Ellis and directed by Paul Schrader. The film revolves around young people in Hollywood and the seedy underbelly of the glitzy city. Last year, Pope spoke to MTV News about hiring the troubled actress for a lead in the flick and seemed unconcerned by her tabloid dramas.

“What’s kind of lost in a lot of the Lindsay discussions is the fact that Lindsay is a very talented actress,” he said. “She’s very charismatic and she has a lot of acting skills. So her lifestyle and some of the things that she’s gone through have tended to kind of overwhelm the fact, but Lindsay has kind of real talent. So for this part, we felt that she was really the right actor for a host of different reasons.”

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