New ‘Hobbit’ Poster And Trailer Create Middle-earth Deja Vu

31e5e Hobbit Bilbo Banner New Hobbit Poster And Trailer Create Middle earth Deja Vu

Could you do us a favor and pause the new trailer for “The Hobbit: An Unexpected Journey” just for a second? We have more stuff to show you.

Ok, thanks for that.

After an eventful Tolkien Week, filled with the kind of Middle-earth geekiness that we’ve been living on in the lead-up to December, director Peter Jackson sprinkled one last morsel on top of the already generous trailer.

A new poster for “The Hobbit: An Unexpected Journey” premiered on Jackson’s Facebook page, and it features Bilbo Baggins aka Martin Freeman in a pose that should be familiar to “Lord of the Rings” fans, but that shouldn’t be the only thing from Tolkien Week that resembled material from the previous trilogy.

The new poster for “The Hobbit” bears a striking resemblance to the teaser poster for “Return of the King,” featuring Viggo Mortensen as Aragon, which was modeled off of the very first teaser for “Fellowship of the Ring.”

31e5e Hobbit LOTR Poster Comparison New Hobbit Poster And Trailer Create Middle earth Deja Vu

On top of those similarities, Total Film noticed that several shots from the new trailer match those featured in the preview for “Fellowship of the Ring.” You can judge for yourself with some composites the site created.

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While we’re not going to go as far as accusing Jackson of plagiarizing himself, it’s kind of comforting to see that “The Hobbit” is shaping up to be a true follow-up to “Lord of the Rings.” While it would have been interesting to see del Toro’s vision of Middle-earth, Jackson’s return looks to be complete and faithful to the movies we already love.

Do you want “The Hobbit” to be just like “Lord of the Rings”? Let us know what you think in the comments below and on Twitter!

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‘On The Road’ At TIFF: The Reviews Are In!

The last time we checked in on what the critical masses had to say about “On the Road,” the reviews that came out of Cannes in May had critics lamenting a lack of genuine emotion, deeming it an overall lukewarm adaptation. Now, thanks to the film’s appearance at the Toronto International Film Festival, which had star Kristen Stewart all excited and appreciative of her fan support, we also have a fresh set of critical eyes from which to glean new observational material.

Judging from the early word out of Toronto, critics are feeling a similar vibe to those who saw the film at Cannes. The pressure to faithfully adapt Jack Kerouac‘s classic and beloved beatnik tour de force seems to be a too-steep mountain to climb, despite valiant efforts put forth by cast and crew.

Pack your bags as we drive through the “On the Road” reviews coming at ya from Canada.

Plot Points (Or Lack Thereof)
“In its broad strokes, ‘On the Road’ explores the relationship between aspiring writer Sal Paradise (Sam Riley) and the freewheeling Dean Moriarty (Garrett Hedlund). To become a better writer, Sal decides to crisscross the country. One trip he goes solo, another trip he goes with Dean and Dean’s ex-wife Marylou (Kristen Stewart), and on another trip he and Dean head south to Mexico. There are brief interludes at various destinations where the characters drink, get high, and screw around, but no one can ever settle down when the road is calling. But there’s no wisdom or insight to be found on the road in On the Road. Kerouac’s novel inspires a sense of wanderlust in the reader. It makes us want to leave our stolid lives behind, and dive into the unknown because we know we’ll be richer for the experience. But Salles’ picture has all the urgency of a slideshow where your friends show you pretty pictures of landscapes and tell you of the crazy times they had.” — Matt Goldberg, target=”_blankCollider.com

Managing Expectations and Shock Value
“What I wanted from ‘On the Road’ was something that would capture what people love about Beat literature. What I got was a movie that genuinely draws all its pleasures from people speaking painfully affected dialogue and doing lots of drugs and having lots of sex with each other. It’s exactly the parts of life that are better to experience than they are to hear about. It’s all just so much less interesting than you think it is when it’s happening to you, even if — perhaps especially if — you are taking copious notes. As a matter of fact, on a similar note, it’s one of my major theories of modern cinema that your characters had better be extraordinarily interesting if you want me to spend any considerable time in your film watching them get high. It matters not whether it’s meth or benzadrine; watching people do drugs is stultifyingly boring unless the people are extremely fascinating. Whatever Kerouac’s friends were like in real life and however he drew their analogues in the book, the people in the movie are not extremely fascinating. Similarly, there’s a lot of sex in the film and a lot of it is supposed to be daring — look, three people! Look, two men! Look, they’re doing it in the car! But as with the drugs, the handling of the sex is so glib that it’s actually dull.” — Linda Holmes, target=”_blankNPR.

The Performances
“All of the actors are good. Hedlund of course has the most showy part, Riley carrying the narrative burden. Supporting characters stun: Viggo Mortensen giving his usual all and total depth to a few minor scenes, Amy Adams coming a little unhinged, Kirsten Dunst breaking your heart. And K-Stew can dance! She missed her calling being in the Step Up movies. Yes, what I got out of Kristen Stewart’s performance was one scene where she dances. She’s good in a harrowing teen in crisis role, but seductively comes to life when she moves.” — Fred Topel, target=”_blankCrave online

The Final Word
“This film ain’t for everyone. My ‘consumer reports’ side is urging me to say, again, nothing really happens in the movie. Even the ‘adventures’ aren’t all that shocking. At one point they get a ticket. In Mexico, Sal gets the sh–s. To a generation raised on ‘The Hangover Part 2,’ this may be one big snore. I think, however, that this is the only way to make this movie. To spice it up with false conflict would be an affront and to overplay the jazz angle and to go for a dreamlike experimental aestheric would lead to nothing but rolled eyes. No, this is a plainspoken and restrained filmmaker’s vision, a respectful, tuned-in approach to ‘On the Road,’ and the right way to represent what we see when we, like Sal Paradise, think of Dean Moriarty.” — Jordan Hoffman, target=”_blankFilm.com

Check out everything we’ve got on “On the Road.”

Viggo Mortensen Joining Neil Marshall ‘Last Voyage Of The Demeter’?

9b719 Viggo Mortensen Viggo Mortensen Joining Neil Marshall Last Voyage Of The Demeter?

You may be more familiar with the work of the English director Neil Marshall than you think. He made a splash with the well-received “The Descent” in 2005, and he recently directed the much-talked about “Blackwater” episode of “Game of Thrones.”

So you should definitely be paying attention to his next project, “The Last Voyage of the Demeter,” which may or may not have found its lead.

A report from Bloody Disgusting claims that an offer went out to Viggo Mortensen to star in the film, which takes an expanded look at one portion of Bram Stoker‘s original “Dracula” novel.

Learn more after the jump!

If Mortensen has actually been offered the role and he accepts, he will play Henry Clemens, a crew member of the Russian ship that transports Count Dracula from his home in Transylvania to London. It’s an iconic part of Stoker’s novel, and one that does not end well. None of the crew survives the trip.

Mortensen recently committed to reprise his role as Nikolai for David Cronenberg‘s sequel to “Eastern Promises.”

Would you like to see Viggo Mortensen in “The Last Voyage of the Demeter”? Let us know in the comments below and on Twitter!

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Snape Gets Some Googly Eyes In Dailies!

f08aa Snape Googly Banner Snape Gets Some Googly Eyes In Dailies!

Severus Snape would have been so much less intimidating if he had big googly eyes. Luckily, he had Alan Rickman’s.

Also, Viggo Mortensen habla español, and learn all about the Teenage Mutant Ninja Turtles in Dailies!

» Why doesn’t the fact that Viggo Mortensen is starring in a Spanish-language thriller as twin brothers surprise us in the least bit? [Twitch]

» Because you didn’t know you needed to know, the complete history of the Teenage Mutant Ninja Turtles. [mental_floss]

» In other Viggo Mortensen news, it looks like David Cronenberg will direct “Eastern Promises 2″! [Vulture]

» Observe an odd picture from Michel Gondry‘s upcoming “Mood Indigo” with Audrey Tautou. [Twitch]

f08aa Gondry Tautou Snape Gets Some Googly Eyes In Dailies!

» Because the man doesn’t have enough on his plate, Damon Lindelof is rewriting act three of “World War Z.” [THR]

» Ummm, Judge? If you could just step slightly to your left, we can shoot this “Dredd” poster. No? Ok. [JoBlo]

f08aa Judge Dredd Poster New Snape Gets Some Googly Eyes In Dailies!

» A new report says that studios will stop distributing film prints by the end of next year, so sorry if you like movies. [Deadline]

» In case you wanted to know what famous people look like with googly eyes… [Celebrity Googly Eyes]

f08aa Snape Googly Snape Gets Some Googly Eyes In Dailies!

Welcome to the Dailies, where the MTV Movies team runs down all the film and television news, odds and ends that are fit to print! From awesome fan art to obscure casting news, this is your place to feast on all the movie leftovers you didn’t know you were hungry for.

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Kristen Stewart’s ‘On The Road’: Cannes Reviews Are In!

Kristen Stewart hit the 2012 Cannes Film Festival to debut her latest film, “On the Road.” Adapted from Jack Kerouac’s Beat Generation novel, the film centers on writers Dean Moriarty (Garrett Hedlund) and Sal Paradise (Sam Riley) as they journey across America with Dean’s wife, Marylou (Stewart), living in a whirlwind of sex, drugs and writing.

Despite the American classic being considered unadaptable, director Walter Salles took on the ambitious project, much to the dismay of critics. While they say the movie remains faithful to the book, they feel the film version lacks the spark Kerouac carried throughout the novel.

The Story
“You can’t help but wish that Salles and screenwriter Jose Rivera had focused less on the stories in the book and more on the story of the book — its writing, its reception, the publisher making Kerouac change the names of the real parties concerned and his edits, the 6-year gap between its being written and its being published.
Cinematographer Eric Gautier (‘Into the Wild,’ ‘A Christmas Tale’) does incredible work, but after a while the film feels like any other road trip — no matter how beautiful the scenery flickering by through the window is, eventually you just want to get out of the
god—- car. Salles may have pulled off the achievement of faithfully adapting Kerouac’s novel, but as episodes blur and bleed between each other with scenery as punctuation, you might find yourself wishing for a little less literary fidelity and a little more cinematic storytelling.” — James Rocchi, Indiewire

Director Walter Salles
“With a romantic like Salles at the wheel we weren’t expecting ‘On the Road’ to hold a mirror to today’s disenfranchised American youth. But we weren’t expecting such a tedious, flat film either. Ultimately that’s the price paid for failing to tone down the narcissistic, shallow tendencies of the characters — although it doesn’t account for just how few memorable scenes there are (with the exception of K-Stew’s boobies and Hedlund nailing a sherried Steve Buscemi). You can keep the Zeitgeist embalmed in myth and nostalgia for as long as you like, but to truly reinvigorate it you’ll need a whole lot more than a whiskey-hued lens and a frontseat full of pretty faces.” — Adam Woodward, Little White Lies

The Performances
“Salles gets excellent performances from his cast, which includes Viggo Mortensen as the William Burroughs figure and Kirsten Dunst as the girl Cassady married after finally breaking up with Marylou.
However, he struggles to give his story the strong dramatic line it requires and concentrates instead on sequences which illustrate the book best. What we do get, thanks to Riley’s perceptive performance, is the sense that he is watching Cassady tasting life before he gingerly partakes.” — Derek Malcolm, London Evening Standard

The Final Word
“Many have speculated that ‘On the Road,’ Jack Kerouac’s seminal beat novel, is unadaptable for the screen, and Walter Salles’ game attempt suggests that this may indeed be the case. Despite its pretty cast and sun-ripened colours, the film quickly settles into a tedious looping rhythm of Sal Paradise (Sam Riley) experiencing some kind of beatnik debauchery with co-wanderers Dean Moriarty (Garrett Hedlund) and Marylou (Kristen Stewart), before retiring to a shady corner and scribbling wildly in a notebook. Neither the journey nor the destination seems to matter a jot.” — Robbie Collin, The Telegraph

” ‘On the Road’ does, ultimately, have a touching kind of sadness in showing how poor Dean is becoming just raw material for fiction, destined to be left behind as Sal becomes a New York big-shot. But this real sadness can’t pierce or dissipate this movie’s tiresome glow of self-congratulation.” — Peter Bradshaw, The Guardian

Check out everything we’ve got on “On the Road.”

For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com.

Watch It: ‘Battleship’ Goes For A ‘Drive’

fa062 battleship thumb Watch It: Battleship Goes For A Drive

Finally, a blockbuster that stands a shot at dethroning “The Avengers” (not that we’re necessarily rooting for such an outcome) sails into the scene this weekend: “Battleship,” the action flick starring Taylor Kitsch! Loosely Based on the board game of the same name, “Battleship” has already been invading theaters globally for weeks, but it’s now ready to make its domestic debut this coming weekend. One of our regular Watch It contributors checked the movie out this week, and loved what they saw.

Get more on “Battleship” and everything else we’ve been watching lately — yes, as the headline implies, you’ll get some Ryan Gosling action today — in today’s Watch It!

Joel Hanek, MTV Movies producer:
You either love it or hate it, but “Drive,” my favorite movie of 2011, is now available for streaming on Netflix. If you haven’t seen it yet, please watch it! Right, we get it, Ryan Gosling is the hottest thing on the planet (no one is disagreeing the man is Charm personified), but let’s look at the film in a bigger picture. Director Nicolas Winding Refn does a beautiful job at creating a world around a wordless character by combining a syncopating warm electronic soundtrack with the clean Nagel-esque glossy lens of LA to pull off this modern day film-noir. Not to mention that this film has the coolest supporting cast: Hank Scorpio and Hellboy (Albert Brooks and Ron Perlman) give great gangster gravitas as the film’s baddies, Bryan Cranston pushes the plot with shades of Ratso Rizzo, and Christina Hendricks, while she doesn’t have much to do, is always a great addition.

Tami Katzoff, MTV News producer:
I’m on a continuing quest to catch up on the films from last year that seemed intriguing but I somehow missed, so I recently watched “Hanna” on DVD via Netflix. It’s about a teenage girl raised in total isolation by her dad, who (for reasons too complicated to enumerate here) has taught her to be the consummate assassin. Director Joe Wright is responsible for respectable dramas such as “Pride Prejudice” and “Atonement,” so I was expecting to see a dark yet straightforward thriller. “Hanna” is not that. It’s strange and trippy and somewhat confusing. Also I’m not sure if Cate Blanchett was the right choice to play Hanna’s nemesis. But what makes “Hanna” worth a couple hours of your time is the amazing performance of Saoirse Ronan as the title character. She manages to make Hanna wise yet innocent, sweet but absolutely terrifying.

Fallon Prinzivalli, MTV Movies editorial assistant:
Amidst mixed opinions on whether “Battleship” would sink or swim at the box office, I have to say I was pleasantly surprised. I went in without any expectations and thoroughly enjoyed the film. I think the biggest surprise was the humor, which is especially present in Taylor Kitsch and his “Friday Night Lights” co-star Jesse Plemons. I also want to note the audience reaction. One scene left the man in a suit who sat next to me covering his mouth in horror and two other scenes found practically the whole audience erupting in applause and celebratory cheer. There’s something to be said about a film that can unite an audience. And while I don’t claim to be a tech whiz, I thought the special effects were stunning. Overall, I recommend grabbing a few friends and heading out to see this flick. It may not be on the same level as “Avengers” (at this point, what is?), but the film stands on its own.

Kevin P. Sullivan, MTV Movies editorial assistant:
Since I consider “The Road” to be one of my favorite books of all time and “The Proposition” to be one of my favorite movies of all time, it was curious that it took me so long to watch John Hillcoat‘s adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel. I didn’t actively avoid it, but I never felt compelled to sit through it until the preview for “Lawless” hit and I knew I had to. “The Road” is undoubtedly made with an amazing performance from Viggo Mortensen, but when the horrifying images are stripped of McCarthy’s poetry, they lose any shred of beauty or hope that the author stitched in.

Josh Wigler, MTV Movies Blog editor:
I’m the cheater of the group, aren’t I? I cheated by listing “Hunger Games” books instead of movies a few weeks ago, and here I am again touting the “Survivor: One World” season finale. Sorry, I just can’t help myself. I’m a lifelong “Survivor” fan — one of few who started in the very earliest seasons and hasn’t stopped watching yet — and it’s always been my pie-in-the-sky dream to be on the show. I even auditioned back in college. (No, the tape doesn’t still exist, which is a shame; I ate a cat and it was awesome.) I have no illusions that I’ll never get the chance to compete for the million bucks, but I did make it onto the show in a way I didn’t expect — by attending the live finale in New York City. It was an unforgettable experience getting to watch Jeff Probst read the votes live and grant the Sole Survivor title to all-too-deserving winner Kim Spradlin. Definitely a super-nerdy experience that I won’t soon forget. Okay, enough gushing… back to movie-watching next week, I promise!

Amy Wilkinson, Hollywood Crush editor:
Now that my cable provider is HBO Go compatible, I’m finally jumping on “The Wire” paddy wagon. (Better a decade late than never, right?) A season into the gritty crime drama, and I’m beginning to understand the near-universal reverence for this show (despite my belief that there never possibly could have been that many payphones in Baltimore). Economical yet poignant writing, coupled with nuanced performances by Dominic West and Idris Elba (actually make that the entire cast — there’s really not a weak link in the bunch) make this series worthy of much more than the two paltry Emmy nominations it received during its five-season run.

What are you watching? Tell us in the comments section below or on Twitter!

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Cannes Film Festival: Our Top 10 Must-See Movies

Hollywood is officially headed to the French Riviera for the 65th Cannes Film Festival, which kicks off Wednesday. With so much of the attention Stateside focused squarely on the “Rob and Kristen Factor,” we thought it would be helpful to take a look at the lineup and share the films we are most excited about at the upcoming festival.

Here are our top 10 most anticipated movies at the Cannes Film Festival:

10. “The Paperboy”
This adaptation of the Peter Dexter novel marks Lee Daniels’ first film since making it big on the indie scene with “Precious.” “The Paperboy” promises a different direction for Daniels, telling the story of a reporter (John Cusack) who travels back to his home town to investigate a death-row case.

9. “Reality”
Director Matteo Garrone made waves at Cannes in 2008 with his hyper-real look at Neapolitan organized crime, “Gomorrah,” which won the Grand Jury Prize that year. For this year’s festival, he returns with “Reality,” a look at the way we perceive life since the dawn of reality television.

8. “Cosmopolis”
Robert Pattinson’s name alone has drawn much attention to this in-competition film, but the true nature of its intrigue lies with its director, David Cronenberg. With his adaptation of Don DeLillo’s novel, Cronenberg, with the help of Pattinson, of course, looks to be revisiting the bizarre aesthetics and subject matters that made him famous in the 1980s. We’ve been waiting for this one ever since it won the MTV Movie Brawl 2012 back in January.

7. “Like Someone in Love”
“Certified Copy,” the previous film from Iranian director Abbas Kiarostami, earned Juliette Binoche a best actress award at Cannes in 2010, but the film itself is one of the best examples of pure art-house filmmaking in the past few years. With “Like Someone in Love,” Kiarostami shifts his focus from Italy to Japan but keeps the same entry point of a man and a woman who may or may not know each other.

6. “Amour”
“The White Ribbon,” Michael Haneke’s previous film tangentially about the saplings of fascism in Germany, wowed audiences on the Croisette in 2009, and “Amour” seems poised to do the same. The film tells the story of Georges and Anne, an octogenarian couple whose bond comes under strain after one of them suffers an attack.

5. “On the Road”
Similar to “Cosmopolis,” “On the Road” has drawn a great deal of attention because it features a “Twilight” star, in this case Kristen Stewart, but she only makes up an element of this insanely star-studded Jack Kerouac adaptation, which also stars Sam Riley, Garrett Hedlund, Kirsten Dunst, Viggo Mortensen and Terrence Howard.

4. “Lawless”
Formerly known as “Wettest County,” this Southern-set prohibition crime film boasts a cast featuring Tom Hardy, Shia LaBeouf, Jessica Chastain, Gary Oldman and Guy Pearce and a critical darling of a director, John Hillcoat. The recently released trailer looks strong, and Hillcoat’s pedigree alone (his previous films include “The Proposition” and “The Road”) make this a must-see for the festival.

3. “Rust and Bone”
A film about a whale trainer who loses a leg to an orca doesn’t necessary seem like Palme d’Or material, but “Rust and Bone” comes from director Jacques Audiard, who took the Grand Jury Prize in 2009 with the impressive “A Prophet,” and it stars Marion Cotillard as the unfortunate trainer.

2. “Killing Them Softly”
It wouldn’t be surprising if you haven’t seen “The Assassination of Jesse James by the Coward Robert Ford,” but it would certainly be unfortunate. The western starring Brad Pitt and Casey Affleck debuted and left theaters quietly, but since 2007, the film has slowly gained a reputation as a modern classic. As director Andrew Dominik’s first film since “Jesse James,” “Killing Them Softly” stands out as both his reunion with Pitt and his much-anticipated follow-up.

1. “Mud”
A writer/director may take a few films to nail down their voice and storytelling identity, but with his first two movies, Jeff Nichols has not only established himself as a serious filmmaker, but also one of the most exciting auteurs working today. Those films, “Shotgun Stories” and “Take Shelter,” are two genuine masterpieces of American filmmaking, and we look forward to his third feature film “Mud,” starring Matthew McConaughey and Reese Witherspoon.

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

Exclusive ‘Dangerous Method’ Featurette: Working With David Cronenberg

If the recent “Cosmopolis” trailer showed us anything, it’s that legendary director David Cronenberg is definitely not afraid to go there.

His latest movie, “A Dangerous Method,” hits Blu-ray and DVD on March 27, and even though it’s about the early days of psychoanalytics, it’s still one of the kinkiest movies to come out in recent years.

We have an exclusive featurette from the upcoming release. In the clip, the cast members Keira Knightley, Michael Fassbender, Vincent Cassel and Viggo Mortensen share their stories and experiences of working with Cronenberg.

“He’s very clear about what he wants,” Fassbender says. “And that sort of confidence spreads out down throughout the set.”

Check out the entire clip above!

What did you think of the exclusive featurette from the “Dangerous Method” Blu-ray and DVD? Let us know in the comments below and on Twitter!

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